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        <title>altfotonet</title>
        <link>http://altfotonet.org/blog/</link>
        <description>the companion blog to altfotonet.org a website for: creatives/artists/idealouges/ratbags/visionaries</description>
        <language>en</language>
        <copyright>Copyright 2010</copyright>
        <lastBuildDate>Sun, 27 Jun 2010 22:18:43 +1100</lastBuildDate>
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            <title>Joe Deal, Dies</title>
            <description><![CDATA[<p>Joe Deal, has passed away, according to this entry on Politics and Theory</p><p><a href="http://politicstheoryphotography.blogspot.com/2010/06/passings-joe-deal-1947-2010.html">(Notes on) Politics, Theory &#38; Photography: Passings ~ Joe Deal (1947-2010)</a>, <a href="http://www.stlbeacon.org/content/view/103212/482/">here</a> as well</p><p>Joe Deal was a participant in the New Topographics exhibition, that has had a lasting influence on many photographers, myself included.</p>]]></description>
            <link>http://altfotonet.org/blog/2010/06/joe_deal_dies.html</link>
            <guid>http://altfotonet.org/blog/2010/06/joe_deal_dies.html</guid>
            
                <category domain="http://www.sixapart.com/ns/types#category">photography</category>
            
            
                <category domain="http://www.sixapart.com/ns/types#tag">art</category>
            
                <category domain="http://www.sixapart.com/ns/types#tag">photography</category>
            
            <pubDate>Sun, 27 Jun 2010 22:18:43 +1100</pubDate>
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            <title>Fotofest 2010: Will Steacy</title>
            <description><![CDATA[Aaron Schuman, the editor of  the online photography magazine, <a href="http://seesawmagazine.com/">SeeSaw Magazine </a> has curated an exhibition in the <a href="http://2010biennial.fotofest.org/home.aspx">FotoFest 2010</a> entitled <a href="http://2010biennial.fotofest.org/exhibitions/whateverwassplendid.aspx">Whatever was Splendid: New American Photographs</a><br /><br />

The Curatorial statement says:<br /><br />
<blockquote>The exhibition Whatever Was Splendid explores the parallels that exist--both in America and in photography--between our own time and that of Evans, and the enduring power of American Photographs as discerned through contemporary U.S. photographic practice....At its heart, Whatever Was Splendid is centrally informed by the legacy of American Photographs, and by Evans' vital contributions to the nation's photographic language and traditions. That said, it is by no means intended as a nostalgic update or sentimental plea for photography (or, for that matter, America) to return to its past. As much as Evans' precedent has provided both the inspiration and reinforcing framework for this exhibition, Whatever Was Splendid is first and foremost the manifestation of the intelligence, ingenuity, and multiplicity of voices and visions that can be found within current U.S. photographic practice</blockquote><br /> 
One of the photographers is <a href="http://www.willsteacy.com/">Will Steacy,</a> a New York based photographer and writer, who  currently has an exhibition entitled <a href="http://www.michaelmazzeo.com/Thumbnails_DTMS.html">Down These Mean Streets</a> at  the Michael Mazzeo Gallery. ]]></description>
            <link>http://altfotonet.org/blog/2010/06/fotofest_2010.html</link>
            <guid>http://altfotonet.org/blog/2010/06/fotofest_2010.html</guid>
            
                <category domain="http://www.sixapart.com/ns/types#category">new finds</category>
            
                <category domain="http://www.sixapart.com/ns/types#category">photography</category>
            
            
            <pubDate>Thu, 17 Jun 2010 21:57:59 +1100</pubDate>
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            <title>PhotoAccess </title>
            <description><![CDATA[<a href="http://www.photoaccess.org.au/">PhotoAccess</a> is at the <a href="http://www.arts.act.gov.au/pages/page24.asp">Manuka Arts Centre,</a> in Canberra. It is  an incorporated community association that aims to provide opportunities right across the community, including groups and individuals whose access to photo media is limited by gender, geography, income, disability or other reasons.<br /> <br />

Their exhibition space is  the <a href="http://www.photoaccess.org.au/?q=taxonomy/term/4">Huw Davis Gallery,</a> which is a public art gallery and the only community gallery space in the ACT dedicated to the photo based arts.<br /> <br /> 


A recent exhibition--in 2009---was the <a href="http://www.photoaccess.org.au/files/25th_combined_lr.pdf">25th Anniversary Print Portfolio, </a> which consisted of sixteen images donated by artists closely associated with PhotoAccess as board members, board advisors, staff, course tutors and exhibiting members make up the print portfolio.]]></description>
            <link>http://altfotonet.org/blog/2010/06/new_post_2.html</link>
            <guid>http://altfotonet.org/blog/2010/06/new_post_2.html</guid>
            
            
            <pubDate>Thu, 03 Jun 2010 19:38:37 +1100</pubDate>
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            <title>Marzena Wasikowska: Fallen</title>
            <description><![CDATA[ <a href="http://web.mac.com/marzena.wasikowska/iWeb/Site/Home.html">Marzena Wasikowska </a> is  a Polish born and  Canberra-based visual artist who  works with the photographic medium in portraiture and in the landscape both in Australia and Europe. <br /><br /> 
A recent, and intriguing body of work is <a href="http://web.mac.com/marzena.wasikowska/iWeb/Site/Fallen%202004-07.html">Fallen,</a> which was produced between 2004-07.<br /><br /> 

<span class="mt-enclosure mt-enclosure-image" style="display: inline;"><img alt="WasikowskiMFallen13.jpg" src="http://altfotonet.org/blog/2010/06/03/WasikowskiMFallen13.jpg" class="mt-image-center" style="text-align: center; display: block; margin: 0pt auto 20px;" height="650" width="630" /></span>.<br />

The images are dark, blurred, monotone and in low light. They are of rocks walls and a hole in the ground. We are in the abyss or the underworld, or the unconscious. It could be well be  images of  the Australian landscape as sites for representations of Australian history and memory.   ]]></description>
            <link>http://altfotonet.org/blog/2010/06/marzena_wasikowska_fallen_1.html</link>
            <guid>http://altfotonet.org/blog/2010/06/marzena_wasikowska_fallen_1.html</guid>
            
                <category domain="http://www.sixapart.com/ns/types#category">new finds</category>
            
                <category domain="http://www.sixapart.com/ns/types#category">photography</category>
            
            
            <pubDate>Thu, 03 Jun 2010 19:15:50 +1100</pubDate>
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            <title>New York Photo Festival: 3D coverage</title>
            <description><![CDATA[ I mentioned the <a href="http://www.nyphotofestival.com/">New York Photo Festival</a>  in an earlier  <a href="http://altfotonet.org/blog/2010/05/new_york_photo_festival.html">post</a> on the <em>Altfotonet</em> blog.  

I've since discovered the  3D coverage project by  <a href="http://www.martinlenclos.com">Martin Lenclos.</a> The  3D coverage, gives website visitors the chance to experience the festival "virtually" by offering photos and video interviews of the NYPH's curators, attendees and exhibitors in an evocative rendering the festival's actual environment.<br /> <br />

 It is fascinating to explore --but you need fast broadband for it to work effectively:<br /> <br />

<object height="520" width="100%"><param name="movie" value="http://www.coverage3d.com/Coverage3D.swf?embed=true&amp;permalink=new-york-photo-festival-2010" /><param name="allowFullScreen" value="true" /><param name="bgcolor" value="#000000" /><embed src="http://www.coverage3d.com/Coverage3D.swf?embed=true&amp;permalink=new-york-photo-festival-2010" type="application/x-shockwave-flash" allowfullscreen="true" bgcolor="#000000" height="520" width="100%"> </object>]]></description>
            <link>http://altfotonet.org/blog/2010/05/new_york_photo_festival_3d_cov.html</link>
            <guid>http://altfotonet.org/blog/2010/05/new_york_photo_festival_3d_cov.html</guid>
            
                <category domain="http://www.sixapart.com/ns/types#category">new finds</category>
            
            
            <pubDate>Wed, 26 May 2010 20:17:26 +1100</pubDate>
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            <title>Andrew Moore:  large format</title>
            <description><![CDATA[I managed to catch <a href="http://www.imdb.com/name/nm0237841/">Close-up: Photographers at Work: Portraits </a>  produced by <a href="http://www.imdb.com/name/nm0237841/">Rebecca Dreyfus </a> on the ABC's <a href="http://ww.abc.net.au/iview/#"> IView </a>before it was taken down. The film was originally produced for <a href="http://ovationtv.com/">Ovation TV</a>  by <a href="http://www.mayslesfilms.com/">Maysles Films</a> and it featured the following photographers: Albert Maysles, <a href="http://www.andrewlmoore.com/">Andrew Moor</a>, <a href="http://www.sylviaplachy.com/">Sylvia Plachy,</a> 
Timothy Greenfield-Saunders and <a href="http://en.wikipedia.org/wiki/Gregory_Crewdson">Gregory Crewdson, </a>as well as curators, artists, 
authors and writers.<br /><br />My interest was caught by  Albert Maysles hanging out on the streets of Harlem taking street portraits; the work of Sylvia Plachy and the large format work of Andrew Moore: 

<span class="mt-enclosure mt-enclosure-image" style="display: inline;"><img alt="MooreACubaELPentagono.jpg" src="http://altfotonet.org/blog/2010/05/22/MooreACubaELPentagono.jpg" class="mt-image-center" style="text-align: center; display: block; margin: 0pt auto 20px;" height="610" width="483" /></span>
Andrew Moore, El Pentagono, Cuba, 1998-2002 <br /><br />

Moore is known for his Known for his large-scale photographs of dilapidated buildings in places like <a href="http://www.amazon.ca/Inside-Havana-Photographs-Andrew-Moore/dp/0811833437">Cuba</a>, <a href="http://www.popphoto.com/Galleries/A-Conversation-with-Andrew-Moore">Russia,</a> Times Square and <a href="http://www.nybooks.com/blogs/nyrblog/2010/apr/08/slide-show-detroit-city-of-ruins/">Detroit.</a> 

]]></description>
            <link>http://altfotonet.org/blog/2010/05/andrew_moore_large_format.html</link>
            <guid>http://altfotonet.org/blog/2010/05/andrew_moore_large_format.html</guid>
            
                <category domain="http://www.sixapart.com/ns/types#category">photography</category>
            
            
            <pubDate>Thu, 20 May 2010 18:49:25 +1100</pubDate>
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            <title>Murray Fredericks: Lake Eyre</title>
            <description><![CDATA[There would be few Australian photographers working with an 8x10 view or field camera in these digital days. One that I <a href="http://www.sauer-thompson.com/junkforcode/archives/2009/12/murray-frederic.html">know o</a>f is <a href="http://www.murrayfredericks.com.au/">Murray Fredericks</a> and his Lake Eyre series. <br /><br />Each year since 2003&nbsp; Fredericks has camped for 5 weeks alone on the surface of Lake Eyre immersed in space with his&nbsp; 8" x 10" Toyo field&nbsp; camera. The subject of Fredericks' photographs is emptiness, infinity and the void.<br /><br />
<span class="mt-enclosure mt-enclosure-image" style="display: inline;"><img alt="FredericksMsaltlakeeyre5.jpg" src="http://altfotonet.org/blog/2010/05/19/FredericksMsaltlakeeyre5.jpg" class="mt-image-center" style="text-align: center; display: block; margin: 0pt auto 20px;" height="355" width="444" /></span>
Murray Fredericks, SALT 5,  Lake Eyre series <br /><br />

Often the only reference point is provided by the razor sharp horizon devoid of features  as can be seen in the image over the page:
]]></description>
            <link>http://altfotonet.org/blog/2010/05/murray_fredericks.html</link>
            <guid>http://altfotonet.org/blog/2010/05/murray_fredericks.html</guid>
            
                <category domain="http://www.sixapart.com/ns/types#category">photography</category>
            
            
            <pubDate>Wed, 19 May 2010 20:57:59 +1100</pubDate>
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            <title>New York Photo Festival </title>
            <description><![CDATA[The <a href="http://www.nyphotofestival.com/site">New York Photo Festival 2010</a> has just ended. The main exhibitions are <a href="http://www.nyphotofestival.com/site/?page_id=8218">here</a> whilst the satellite exhibitions are <a href="http://www.nyphotofestival.com/site/?page_id=8215">here</a> if you want to go exploring. The exhibitions themselves do not seem to be online but we are given links to the various photographers participating in the exhibitions. In addition to its four main exhibitions, runs a programme of talks, lectures and panel discussions on the future of contemporary photography. 

<br /><br />One of the most interesting body of photographers exhibited is Marc Garanger's <a href="http://www.algeria.com/forums/history-histoire/21660-femmes-alg-riennes-1960-a.html">Femmes Algériennes</a>--images of Algerian women unveiled during the Algerian war (1954-1962)--which featured in the "Bodies In Question" exhibit, curated by <a href="http://www.pixelpress.org/fredritchin.html">Fred Ritchin</a> the author of <a href="http://www.pixelpress.org/afterphotography/?p=1053">"After Photography"</a> (2008)<br /><br />

<span class="mt-enclosure mt-enclosure-image" style="display: inline;"><img alt="GarangerMAlgeria.jpg" src="http://altfotonet.org/blog/2010/05/19/GarangerMAlgeria.jpg" class="mt-image-center" style="text-align: center; display: block; margin: 0pt auto 20px;" height="550" width="550" /></span>
Marc Garanger, untitled,&nbsp; from Femmes Algériennes<br /><br />

The background is that the images were made in a French internment camp and the Algerian women were forced to be photographed and  Garanger, the military photographer, had to take the picture for French identity cards given to Algerians during their mid-20th Century War of Independence. Garanger was ordered by the French military to force  the women to show their faces in public, often for the first time.The colonial period in Algeria ended in 1962.]]></description>
            <link>http://altfotonet.org/blog/2010/05/new_york_photo_festival.html</link>
            <guid>http://altfotonet.org/blog/2010/05/new_york_photo_festival.html</guid>
            
                <category domain="http://www.sixapart.com/ns/types#category">new finds</category>
            
            
            <pubDate>Tue, 18 May 2010 21:03:05 +1100</pubDate>
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            <title>The Unreasonable Apple</title>
            <description><![CDATA[<p>A succinct and thought provoking essay. [A Presentation at first MoMA Photography Forum, February 2010]</p>
<blockquote cite="http://www.paulgrahamarchive.com/writings_by.html">

[From <a href="http://www.paulgrahamarchive.com/writings_by.html"><cite>Paul Graham Archive</cite>, The Unreasonable Apple</a>]
</blockquote>
<p>From JÖRG M. COLBERG's revamped <a href="http://jmcolberg.com/weblog/">Weblog, Conscientious</a></p>]]></description>
            <link>http://altfotonet.org/blog/2010/04/the_unreasonable_apple.html</link>
            <guid>http://altfotonet.org/blog/2010/04/the_unreasonable_apple.html</guid>
            
                <category domain="http://www.sixapart.com/ns/types#category">criticism</category>
            
                <category domain="http://www.sixapart.com/ns/types#category">photography</category>
            
            
                <category domain="http://www.sixapart.com/ns/types#tag">aesthetics</category>
            
                <category domain="http://www.sixapart.com/ns/types#tag">art</category>
            
                <category domain="http://www.sixapart.com/ns/types#tag">photography</category>
            
                <category domain="http://www.sixapart.com/ns/types#tag">projects</category>
            
                <category domain="http://www.sixapart.com/ns/types#tag">representation</category>
            
            <pubDate>Thu, 08 Apr 2010 09:37:25 +1100</pubDate>
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            <title>Australian modernism: a note </title>
            <description><![CDATA[In the <a href="http://en.wikipedia.org/wiki/Western_canon">canon</a> of Australian art photography Australian modernism&nbsp; is usually associated with <a href="http://en.wikipedia.org/wiki/Max_Dupain">Max Dupain.</a> The <a href="http://www.maxdupain.com.au/">work</a> was in black and white, concerned with form, architectural in focus, done with a view camera and concerned with the fine chemically-based print made in a darkroom.&nbsp; <br /><br />

However, there have been a number of others who worked in&nbsp; this style, such as <a href="http://www.pointlight.com.au/art_balfour.html">Tom Balfour,</a> who roots lie in architectural photography in Adelaide, in the 19790s and as associate in&nbsp; Max Dupain's Sydney studio, photographing architecture in the 1980s. He has had a minimal presence in the&nbsp; modernist art gallery since, and exemplifies how&nbsp; the&nbsp; <a href="http://altfotonet.org/blog/2009/12/australian-photographers-gordo.html">Australian modernist tradition</a> slowly withered. <br /><br /><br />
<span class="mt-enclosure mt-enclosure-image" style="display: inline;"><img alt="BalfourTtanks.jpg" src="http://altfotonet.org/blog/2010/01/12/BalfourTtanks.jpg" class="mt-image-center" style="margin: 0pt auto 20px; text-align: center; display: block;" width="400" height="302" /><br />Tom<br /></span>

Establish the  photographic canon was done in the context of  Australia's post-colonial condition, geographical isolation and troubled relationship with the idea of "home". 
This post-colonial condition, accompanied by a chronic inferiority complex, consists of the endemic tall poppy syndrome, the vast cultural cringe and endless tiresome discussions about the quality of Australian art&nbsp; photography versus work produced overseas in the US. <br /><br />]]></description>
            <link>http://altfotonet.org/blog/2010/01/australian_modernism_a_note.html</link>
            <guid>http://altfotonet.org/blog/2010/01/australian_modernism_a_note.html</guid>
            
                <category domain="http://www.sixapart.com/ns/types#category">history</category>
            
                <category domain="http://www.sixapart.com/ns/types#category">photography</category>
            
            
            <pubDate>Tue, 12 Jan 2010 16:28:45 +1100</pubDate>
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            <title>Alec Soth Returns to Blogging</title>
            <description><![CDATA[<p>Alec Soth has returned to the blogosphere, <a href="http://littlebrownmushroom.wordpress.com/">this blog appears to focus on photography books and photography publishing</a>.</p>]]></description>
            <link>http://altfotonet.org/blog/2010/01/alec_soth_returns_to_blogging.html</link>
            <guid>http://altfotonet.org/blog/2010/01/alec_soth_returns_to_blogging.html</guid>
            
                <category domain="http://www.sixapart.com/ns/types#category">e-zines</category>
            
                <category domain="http://www.sixapart.com/ns/types#category">photography</category>
            
            
                <category domain="http://www.sixapart.com/ns/types#tag">book</category>
            
                <category domain="http://www.sixapart.com/ns/types#tag">photography</category>
            
            <pubDate>Sun, 03 Jan 2010 21:43:29 +1100</pubDate>
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            <title>Ballarat International Foto Biennale: Sam Oster</title>
            <description><![CDATA[I haven't posted anything here on the <a href="http://www.ballaratfoto.org/ballaratfoto.org/home.html">2009 Ballarat International Foto Biennale, </a> even though it was an important event in Australian photography, and the festival has been included  <a href="http://www.festivaloflight.net/"> Festival de la Luz or Festival of Light [FOL],</a> a grouping of 32 festivals of photography worldwide.<br /><br />

Sam Oster was one Australian photographer who exhibited in the <a href="http://www.ballaratfoto.org/ballaratfoto.org/core_program.html">core program.</a> This is the flagship of the Biennale, featuring a selection of some of the best contemporary photography from Australia and around the world. <br /><br />

<span class="mt-enclosure mt-enclosure-image" style="display: inline;"><img alt="OsterSBurnsiderubbish.jpg" src="http://altfotonet.org/blog/2010/01/03/OsterSBurnsiderubbish.jpg" class="mt-image-center" style="margin: 0pt auto 20px; text-align: center; display: block;" width="650" height="650" /></span><br /><br />
There is little of Oster's  art photography  work on the web  other than what is her <a href="http://www.silvertrace.com/">Silvertrace</a> studio website, which  is  part of the  broader Adelaide-based <a href="http://hq-studio.com/">Headquarters Studio.</a> collective. ]]></description>
            <link>http://altfotonet.org/blog/2010/01/ballarat_international_foto_bi.html</link>
            <guid>http://altfotonet.org/blog/2010/01/ballarat_international_foto_bi.html</guid>
            
                <category domain="http://www.sixapart.com/ns/types#category">photography</category>
            
            
            <pubDate>Sun, 03 Jan 2010 18:04:19 +1100</pubDate>
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            <title>Altfotonet; Image Highlight</title>
            <description><![CDATA[<p>Reminiscent of the Russian Constructivists this mage plays with perception and depth quite nicley</p><a href="http://www.flickr.com/photos/54943750@N00/4235442727/" title=". by j neuberger, on Flickr"><img src="http://farm5.static.flickr.com/4035/4235442727_e5e9253ac7.jpg" width="500" height="375" alt="." /></a>]]></description>
            <link>http://altfotonet.org/blog/2010/01/altfotonet_image_highlight.html</link>
            <guid>http://altfotonet.org/blog/2010/01/altfotonet_image_highlight.html</guid>
            
                <category domain="http://www.sixapart.com/ns/types#category">new finds</category>
            
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                <category domain="http://www.sixapart.com/ns/types#tag">abstraction</category>
            
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                <category domain="http://www.sixapart.com/ns/types#tag">altfotnet</category>
            
                <category domain="http://www.sixapart.com/ns/types#tag">modernism</category>
            
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                <category domain="http://www.sixapart.com/ns/types#tag">photos</category>
            
            <pubDate>Sun, 03 Jan 2010 16:21:25 +1100</pubDate>
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            <title>Australian photographers: Gordon Undy</title>
            <description><![CDATA[I know very little about the work of Gordon Lundy, other than his association with the <a href="http://www.pointlight.com.au/">Point Light Gallery </a> in Sydney. Form there I gather that his interest is black and white interpretations of  the intimate Australian landscape,  and that his  photographic background  is studying landscape photography with <a href="http://en.wikipedia.org/wiki/Paul_Caponigro">Paul Caponigro</a> and fine printing with <a href="http://www.masters-of-fine-art-photography.com/02/artphotogallery/photographers/george_tice_01.html">George Tice</a> who also introduced him to the craft of platinum/palladium in 1994.<br /><br />

<span class="mt-enclosure mt-enclosure-image" style="display: inline;"><img alt="UndyGBurdekinDam.jpg" src="http://altfotonet.org/blog/2009/12/27/UndyGBurdekinDam.jpg" class="mt-image-center" style="margin: 0pt auto 20px; text-align: center; display: block;" height="600" width="474" /></span> 
Gordon Undy, Burdekin Dam, Queensland,  circa 1994-1996<br /><br />

Robert McFarlane <a href="http://www.smh.com.au/articles/2004/10/18/1097951624039.html?from=storyrhs">says</a> that Undy's images from <a href="http://www.australianartbooks.com.au/books/products/gordon_undy_intimations">Intimations,</a> his second book, reveal a photographer moving away from the orthodoxies of classic landscape photography, as pioneered by artists such as Caponigro, Weston and Adams: 
<blockquote>Undy's pictures have become quieter, meditative and somehow more intensely Australian. Until recently, landscape photographers in this country, with notable exceptions such as Jon Lewis and Peter Elliston, have been deterred by the "untidiness" and "density" of the Australian bush. Undy's recent photographs, such as Midday, Mungana, Queensland 2003 embrace the compressed, inconvenient nature of the Australian landscape.</blockquote>
I am attracted   to Undy's industrial shots made whilst documenting Queensland's mining country in the mid-1990's. 
]]></description>
            <link>http://altfotonet.org/blog/2009/12/australian_photographers_gordo.html</link>
            <guid>http://altfotonet.org/blog/2009/12/australian_photographers_gordo.html</guid>
            
                <category domain="http://www.sixapart.com/ns/types#category">new finds</category>
            
                <category domain="http://www.sixapart.com/ns/types#category">photography</category>
            
            
            <pubDate>Sun, 27 Dec 2009 15:51:13 +1100</pubDate>
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            <title>Saul Leiter: pioneer of colour photography </title>
            <description><![CDATA[Though photographic art historians consider that <a href="http://en.wikipedia.org/wiki/William_Eggleston">William 
Eggleston's</a> legendary colour show at the MOMA in 1979 was groundbreaking for the 
acceptance of colour photography, <a href="http://www.sauer-thompson.com/junkforcode/archives/2009/12/saul-leiter-col.html">Saul Leiter </a>is one of the true pioneers of colour and abstract photography. He started shooting in colour in 1948.<br /><br /><br />

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Saul Leiter treated the use of color in his photographs of the street and his 
surroundings as a painter of his time (1940s) would have done,&nbsp; and&nbsp; he helped lay the foundations for the development of the abstract notions of a photograph in the US.<br />]]></description>
            <link>http://altfotonet.org/blog/2009/12/saul_leiter_pioneer_of_colour.html</link>
            <guid>http://altfotonet.org/blog/2009/12/saul_leiter_pioneer_of_colour.html</guid>
            
                <category domain="http://www.sixapart.com/ns/types#category">new finds</category>
            
            
            <pubDate>Sat, 26 Dec 2009 18:30:41 +1100</pubDate>
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